Artist’s room
Promise of an elsewhere that took Dellavedova to far-off countries for decades and windows of young artists for a two-artist work whose creation I witnessed. One of the first examples of how Martegani al-ways manages to be himself in works or shows shared with someone else.
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Mario Dellavedova, Senza titolo (Installazione Studio Guenzani, Milano), 1988, fotoinstallazione Amedeo Martegani, Senza titolo (Installazione Studio Guenzani, Milano), 1988, fotoinstallazione |